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How Classical Music Powers a Child’s Brain
A study by USC's Brain and Creativity Institute reveals that classical music training in kids enhances brain function, boosts cognitive, social, and emotional development.
The Story Behind the “Borrowed” Melodies of Brahms and Liszt
This article explores how composers Brahms and Liszt incorporated Hungarian folk music into their works, sometimes mistakenly using other composers' pieces.
What is the Most Common Key for a Symphony and Why?
In this Chapman Challenge, Alan explains why D major is the most common key for a symphony, highlighting its popularity among 18th-century composers like Haydn and Mozart.
Why Don’t Trombones Have Valves Like Trumpets?
In this Chapman Challenge, Alan Chapman explains why trombones use slides instead of valves like trumpets, tracing back to their 15th-century ancestor, the sackbut.
Classical Music and Its Powerful Effect on the Brain
Explore the transformative impact of music on the brain with Classical California host Brisa Siegel and USC's Brain and Creativity Institute. Discover how music shapes young minds.
Trippy Tales in Classical Music
Explore the connection between altered states of consciousness and music composition, featuring works by Berlioz, Hildegard of Bingen, and Schumann.
Chapman Challenge: What’s the Spookiest Instrument?
In this Chapman Challenge, Alan discusses the spookiest instruments in honor of Halloween, highlighting the eerie sounds of the theremin and the scary potential of violins.
10 More Composers With Latin American Roots You Should Know
Explore the lives and works of ten influential female composers from Latin America, spanning various genres and periods, from opera to electronic music.
10 Composers From Across Latin America We’re Celebrating This Month!
Explore the rich heritage of Hispanic music through these 10 influential composers, from Teresa Carreño to Gabriela Ortiz.
The Story Behind “Appalachian Spring,” the Ballet
Explore the history of Appalachian Spring, a ballet commissioned by Elizabeth Sprague Coolidge, composed by Aaron Copland, and choreographed by Martha Graham.
