Find Us on Social Media:
How Classical Music Powers a Child’s Brain
A study by USC's Brain and Creativity Institute reveals that classical music training in kids enhances brain function, boosts cognitive, social, and emotional development.
The Story Behind the “Borrowed” Melodies of Brahms and Liszt
This article explores how composers Brahms and Liszt incorporated Hungarian folk music into their works, sometimes mistakenly using other composers' pieces.
What is the Most Common Key for a Symphony and Why?
In this Chapman Challenge, Alan explains why D major is the most common key for a symphony, highlighting its popularity among 18th-century composers like Haydn and Mozart.
Why Don’t Trombones Have Valves Like Trumpets?
In this Chapman Challenge, Alan Chapman explains why trombones use slides instead of valves like trumpets, tracing back to their 15th-century ancestor, the sackbut.
Virtuosity and Nostalgia: Teresa Carreño and Chopin
Explore the life and music of Teresa Carreño, a South American composer and pianist, and her significant influence from Frédéric Chopin.
Fanny Mendelssohn Finally Gets Her Due
Fanny Mendelssohn's lost masterpiece, misattributed to her brother for 150 years, is finally recognized as hers, shedding light on her overlooked musical talent.
The Sounds of Sunrise
Explore the beauty of sunrise through music with this list of compositions inspired by dawn, from Haydn's "Sunrise" Symphony to Ravel's "Daphnis and Chloe".
Meet the Mozart of Spain, Sweden, and More
Explore the lives of composers dubbed as the "Mozarts" of their countries, including Joseph Martin Kraus of Sweden, Juan Arriaga of Spain, and two English contenders.
Chapman Challenge: The Story Behind Handel’s “Messiah”
In this Chapman Challenge, Alan discusses Handel's journey with oratorios, from his first encounter in Italy to his profitable English oratorios, culminating in the creation of Messiah.
What Makes a Christmas Concerto a Christmas Concerto?
In this Chapman Challenge, Alan explains that a Christmas concerto is a type of concerto grosso from the Baroque period, characterized by a Pastorale movement.