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The Story Behind the “Borrowed” Melodies of Brahms and Liszt

BrahmsFolk MusicFranz LisztMusicologyPop CultureArts Alive Blog


Johannes Brahms

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The Story Behind the “Borrowed” Melodies of Brahms and Liszt
  Franz Liszt and Johannes Brahms both wanted to capture the vibrant folk music of Hungary in their compositions. Brahms through his 21 Hungarian Dances written in 1879 and Liszt through his 19 Hungarian Rhapsodies published between 1851 and 1886. Both composers borrowed their melodies from actual Hungarian folk songs, oftentimes sharing the same material. For example, the same celebratory folk song is used by Liszt in his Hungarian Rhapsody No. 8 as Brahms in his Hungarian Dance No. 3.


Franz Liszt

Sometimes they went beyond using folk music and used existing pieces by other composers too. The Allegro molto vivace section of Pablo de Sarasate’s Zigeunerweisen (Gyspy Airs) can be heard in Liszt’s Hungarian Rhapsody No. 13 and the melody from Mark Rózsavölgyi’s Víg szeszély csárdás is used by Liszt in his Hungarian Rhapsody No. 8.


Budapest, Hungary

One of the most famous melodies from the Brahms Hungarian Dances is the melody from Hungarian Dance No. 5. When Brahms came across this melody, he mistook it as a piece of folk music and used it verbatim. Unfortunately, it’s actually an original composition by Hungarian composer Béla Kéler titled Bártfai Emlék Csárdás and Brahms inadvertently plagiarized it! As the saying goes, “good artists borrow, and great artists steal,” and it looks like Brahms stole one this time.

BrahmsFolk MusicFranz LisztMusicologyPop CultureArts Alive Blog
Written by:
Thomas Kotcheff
Thomas Kotcheff
Published on 03.01.2020

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