articles / Dance

‘The Day’ at San Francisco Performances

The Day is a collaborative work, not just between a composer, choreographer, dancer, and cellist… It also includes the contribution of countless unnamed people from the internet who provided the text for the piece. Composer David Lang wrote the piece for cellist Maya Beiser, and San Francisco Performances is presenting the work, with Wendy Whelan dancing the choreography of Lucinda Childs, this Thursday and Friday night at Herbst Theatre.

‘The Day’ at San Francisco Performances

There’s more information at the San Francisco Performances website.

“I have a long running friendship with the cellist Maya Beiser,” David Lang explains,”And so I wrote her a giant solo a long time ago, called World to Come, which was for cello, and many cellos on tape, and voice. And that piece was half a program, and it was so powerful and important for our friendship, and we talked forever about making another piece. And so, I wrote a companion piece to this piece, World to Come called The Day.” As he’s done several times before, for the text of the piece, he let a search engine ‘discover’ the words with its auto-complete function. “I just typed in ‘I remember the day that I…’ and I got a long list of things that people all around the world felt were so important that they would not want to forget them.” The responses in the piece are in alphabetical order, but as they’re read, it sounds like a story, made up of only the most memorable things. “This was the most important day of their lives. I remember the day that I got married. I remember the day that I found out I had cancer. The day my children were born.” Maya Beiser played the pieces for choreographer Lucinda Childs, and that led to the collaboration with former principle dancer with the New York City Ballet, Wendy Whelan. This marks The Day‘s Bay Area premiere.

Written by:
Jeffrey Freymann
Jeffrey Freymann
Published on 03.06.2020

MORE LIKE THIS

Theo Bleckmann at San Francisco Performance’s PIVOT

Theo Bleckmann at San Francisco Performance’s PIVOT

Singer Theo Bleckmann performs Weimar Era songs at Herbst Theatre, part of San Francisco Performances' PIVOT series. He aims to bring a personal, delicate touch to these often dark, political songs.

New Music
03/06/2020
San Francisco Ballet’s Season Opens

San Francisco Ballet’s Season Opens

San Francisco Ballet's season features Shakespearean works, Prokofiev scores, contemporary pieces, and world premieres, including Cinderella, A Midsummer Night's Dream, and Romeo and Juliet.

Dance
03/06/2020
An Athletic ‘Carmen’ at San Francisco Opera

An Athletic ‘Carmen’ at San Francisco Opera

J'Nai Bridges debuts in the title role of Carmen at the San Francisco Opera, comparing the demanding part to playing a basketball game and calling it the "Beyoncé of opera".

Georges Bizet
06/11/2019
‘With Care’ at ODC

‘With Care’ at ODC

"With Care," a music-dance hybrid piece by the American Modern Opera Company, explores the effort of care. The piece features violinists Keir GoGwilt and Miranda Cuckson, and dancers Bobbi Jene Smith and Or Schraiber.

Dance
03/27/2019
A Balletic Stravinsky Festival at SF Symphony

A Balletic Stravinsky Festival at SF Symphony

The San Francisco Symphony and Michael Tilson Thomas kick off a two-week Stravinsky Festival, featuring his iconic ballets and other works. Concerts are scheduled for the upcoming weekends.

Dance
03/06/2020
‘Cycles of My Being’ at San Francisco Performances

‘Cycles of My Being’ at San Francisco Performances

Tenor Lawrence Brownlee premieres a new song cycle, inspired by the Black Lives Matter movement, in a San Francisco concert. The music is by Tyshan Sorey and lyrics by Terrance Hayes.

Pop Culture
05/11/2018