Contact Us

Find Us on Social Media:

Logo image

Find Us on Social Media:

Download Our Mobile App:

google play icon

©2026 Classical California

articles / Pop Culture

Practicing as ‘Self Teaching’

Pop CultureThe State of the Arts

Marc-André Hamelin is a sought-after piano soloist, appearing in concert halls around the world in recital and concerto performances. But that doesn’t mean that he gets to stop practicing. If you’re someone who remembers minutes or hours of playing tedious scales at the piano while keeping a close eye on the clock, he says it needn’t be that way. Instead he sees practice as ‘self-teaching’ – and a way to learn how to best get inside the workings of a piece.

Practicing as ‘Self Teaching’
00:00
Marc-André Hamelin‘s schedule doesn’t always allow him as much time to practice as he might like, and he says that he doesn’t really have a regimen: “I  just go to the piano simply because I’m naturally attracted to it, not because I ever feel I have a task to accomplish. Well, I do in a way, but only in the sense that it’s just continuing a journey with a certain piece, or with a number of pieces at the same time.” And the progress that he then makes is two-fold… He builds muscle memory in his fingers while connecting with the composer’s intent. “It’s instilling a growing awareness of what the piece contains and what is needed in order to bring it to life. Either emotionally, or purely physically.”

Hamelin says more important than spending a given amount of time practicing, is making incremental progress: “I just feel my way, I do a little bit each day, and each day my ability to communicate the message of the piece will get more and more fluent… This is really heresy for most piano teachers, but I don’t believe that you should calculate, or you should figure out, or you should go into the practice room saying ‘I’m going to practice so many hours.’ To me, that’s kind of useless. Because what you really should set out to do is better your understanding of the piece, and development of your own equipment, whether artistic or physical.”

Pop CultureThe State of the Arts
Written by:
Jeffrey Freymann
Jeffrey Freymann
Published on 05.11.2018
Loading...

MORE LIKE THIS

Practicing by ‘Self-Teaching’

Practicing by ‘Self-Teaching’

Pianist Marc-André Hamelin views practice as self-teaching, focusing on understanding the piece and developing skills rather than counting hours spent.

03/06/2020
Looking at Music ‘Inside Out’

Looking at Music ‘Inside Out’

Pianist Stephen Hough shares his unique approach to concert preparation, emphasizing readiness to play without warmups and practicing pieces out of order to ensure equal attention to all parts.

05/23/2018
Endlessly Recursive – and Personal – Bach

Endlessly Recursive – and Personal – Bach

Organist Cameron Carpenter to perform J.S. Bach's works on his custom-made International Touring Organ at SFJAZZ Center, emphasizing his personal interpretation over traditional norms.

05/11/2018
Practicing the Hard Parts – and More

Practicing the Hard Parts – and More

Explore renowned cellist Lynn Harrell's routine for practicing and warming up, as featured in the State of the Arts “Practicing Musicians” series. Includes a Brahms performance sample.

03/28/2017
A Timeless Chinese Classic as an Opera

A Timeless Chinese Classic as an Opera

San Francisco Opera presents 'Dream of the Red Chamber', an adaptation of an 18th-century Chinese novel by Bright Sheng, focusing on a love triangle. Tune in this Sunday at 8 on KDFC.

03/28/2017
Pre-Performance Rituals with Pianist Stephen Hough

Pre-Performance Rituals with Pianist Stephen Hough

Pianist Stephen Hough shares his unique approach to practice, including starting with a piece instead of warmups and varying practice order to ensure equal attention to all parts.

01/13/2017